{"id":373,"date":"2025-01-06T20:05:34","date_gmt":"2025-01-06T19:05:34","guid":{"rendered":"https:\/\/expressionisme-bjorn.art\/?page_id=373"},"modified":"2025-01-27T11:03:57","modified_gmt":"2025-01-27T10:03:57","slug":"histoire","status":"publish","type":"page","link":"https:\/\/expressionisme-bjorn.art\/en\/histoire\/","title":{"rendered":"Story"},"content":{"rendered":"

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Life and story<\/p>\n

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L.D. BJORN<\/h1>\n

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\u201cSensory painting\u201d<\/h2>\n

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Preface by Guy Dornand<\/h3>\n

\u201cThe artwork,\u201d wrote Emile Zola about MANET, \u201cis Nature viewed through temperament.\u201d Some time later, VAN GOGH stated that ART \u201cwas nature plus man\u201d\u2026 Nature, man, temperament, these are the component of an artwork, provided that is added understanding and knowledge so that it can fully be realized.<\/p>\n

To find these components reunited, combined, in an artwork, if not common, is not rare: every period in the art history included a number of temperaments, through which our species has been able to convey our universe, our life, interpretations and noteworthy representations\u2026<\/p>\n

\u2026 He is BJORN, as proclaimed by his signature, drawn on each of his works. But even in cursive, their presence revealed in him the master, the virtuoso of an exceptional material, a substance that belonged only to him. And it is already clear that he has within him a technician of paste, binders, pigments ; in short, a chemist of color.<\/p>\n

How does this mind, full of knowledge based on his vast scientific training, how does this instinctive painter perceive the creation of art? \u2026 He assigns to it two \u201cprerequisites\u201d: first a personal vision of the universe and of the artist\u2019s intimate microcosm. Second, the choice and the search for the most appropriate material to express his sensibility and to depict the subject he proposes to create.<\/p>\n

Whether with non-figurative (commonly referred to as \u201cabstract\u201d) or figurative works, that are even extremely true to the reality we can all see, L.D. BJORN always presents himself, concerned with evoking, through the relationship between planes, tones et nuances or linear rhythms, as if beyond the representation of the outside world, the entire secret, hidden meaning of his subject.<\/p>\n

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In twenty-five years, Bjorn created more than a thousand artworks with troubling nuances and sometimes confusing contrasts.<\/p>\n

His first abstract paintings, skillful architectures with small multicolor touches, will lead him to the impressionism and expressionism worlds, to finally create a \u201csensory painting\u201d with a mysterious rendering, similar to enamel.<\/p>\n

This is how the artist worked his magic and how his work itself has made contact with visitors, guiding them through the maze of their feelings.<\/p>\n

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L.D. BJORN<\/p>\n

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Main awards received<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=\u00a0\u00bbon|on|on\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ width=\u00a0\u00bb87%\u00a0\u00bb max_width=\u00a0\u00bb750px\u00a0\u00bb custom_padding=\u00a0\u00bb13px|||||\u00a0\u00bb disabled=\u00a0\u00bbon\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb][et_pb_column type=\u00a0\u00bb4_4″ _builder_version=\u00a0\u00bb4.16″ custom_padding=\u00a0\u00bb|||\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb custom_padding__hover=\u00a0\u00bb|||\u00a0\u00bb][et_pb_text ul_position=\u00a0\u00bbinside\u00a0\u00bb _builder_version=\u00a0\u00bb4.27.4″ text_font=\u00a0\u00bb–et_global_heading_font||||||||\u00a0\u00bb text_text_color=\u00a0\u00bb#4c4c4c\u00a0\u00bb text_font_size=\u00a0\u00bb17px\u00a0\u00bb text_line_height=\u00a0\u00bb1.4em\u00a0\u00bb ul_font=\u00a0\u00bb||||||||\u00a0\u00bb header_font=\u00a0\u00bb|700|||||||\u00a0\u00bb header_font_size=\u00a0\u00bb20px\u00a0\u00bb header_line_height=\u00a0\u00bb1.3em\u00a0\u00bb header_3_font=\u00a0\u00bb|700|||||||\u00a0\u00bb header_3_font_size=\u00a0\u00bb20px\u00a0\u00bb header_3_line_height=\u00a0\u00bb1.3em\u00a0\u00bb text_orientation=\u00a0\u00bbcenter\u00a0\u00bb custom_margin=\u00a0\u00bb||40px|||\u00a0\u00bb text_font_size_tablet=\u00a0\u00bb17px\u00a0\u00bb text_font_size_phone=\u00a0\u00bb15px\u00a0\u00bb text_font_size_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb text_line_height_tablet=\u00a0\u00bb1.4em\u00a0\u00bb text_line_height_phone=\u00a0\u00bb1.5em\u00a0\u00bb text_line_height_last_edited=\u00a0\u00bbon|phone\u00a0\u00bb global_colors_info=\u00a0\u00bb{}\u00a0\u00bb]<\/p>\n

Salon d\u2019Art Moderne, Grand Prix de Paris, Gold Medal 1961<\/p>\n

Winner Grand prix de Nice, Gold Medal 1965<\/p>\n

Grand prix de Nice, Silver Medal 1966<\/p>\n

59\u00e8me Salon des Intellectuels Paris, Prix International<\/p>\n

7\u00e8me Grand Prix International de Peinture, Vichy<\/p>\n

Winner Grand Prix de Monaco 1973<\/p>\n

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Toiles dans les collections publiques et priv\u00e9es en : Allemagne – Angleterre – Espagne – Etats-Unis – France – Japon – Pologne – Suisse -[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","protected":false},"excerpt":{"rendered":"

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